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  • A Body in the Body of the Universe by Micki Blenkush

    by

    Zingara Poetry Review: Poetry Picks

    When I went hungry, I slept less.
    Roused by hummingbirds at 4:00 a.m.
    to add sugar to my blood.

    Today, I rest to the luxury of dozing,
    wait for news of our survival.  Slow bleed
    of light around the shades,

    my mind’s graffitied chug
    like box cars on a train.
    That my skin cracks open feels significant.

    Forced air heat blasting through the vents.
    I buy jugs of distilled water
    to feed my humidifier, take too-long showers

    mouth agape, inhaling the steam.
    Persistent itch, abrasion with bullhorn,
    subcutaneous alarm.

    —

    Micki Blenkush lives in St. Cloud, MN.  She was selected as a 2017-2018 Loft Literary Center’s Mentor Series fellow in poetry and was a 2015 recipient of a Central MN Arts Board Emerging Artist Grant.  Her writing has recently appeared in: Cagibi, Typishly, and Crab Creek Review.

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  • Then…as Now by KL Frank

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    Zingara Poetry Review: Poetry Picks

    Thought hands a world to you
    separate as a head on a platter.
    But shuffle awhile
    through damp new grass
    and warm wood chips,
    stumble over errant rocks,
    pocket a few illicit pine cones,
    recreate scenes of
    soaked papier-mâché drying,
    skewer miniscule starchy
    sugar lumps on sticks and sear
    over charcoal fires, or
    cook a few squashed
    indecipherable meat patties
    over propane until
    severed images recede.
    Now will become as then
    when right hand and left hand
    were joined at the spine.

    —

    Karin L. Frank’s poems have been published in various literary journals, such as the Rockhurst Review, the Mid-America Poetry Review, the North Dakota Quarterly and New Letters and in various science fiction venues, such as Asimov’s and Tales of the Talisman. No matter the genre, her poems speak women’s voices.

     

     

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  • Loss by Sandy Feinstein

    by

    Zingara Poetry Review: Poetry Picks

    I keep thinking I’ll be able to see in the dark,
    that moonrise or bright Venus will penetrate.
    Maybe if I wash the grit from the windows
    or open them in defiance of winter
    stars could burst through,
    shed light as they fall
    through earth’s indifferent atmosphere
    down, down down.

    Not so much as a flicker’s left for me
    from the arc of unplanned flights.
    Stars die out of the sun’s spotlight
    unremarked.
    Perhaps Palomar finds a skyful
    to name and number,
    mathematically account for each.

    Loss of a single light remains
    forever
    unmeasured,
    immeasurable.
    It’s not enough to know what stars do.

    —

    Sandy Feinstein’s poetry has appeared most recently in Maximum Tilt (2019); in the last three years, her work has appeared in Viator Project, Connecticut River Journal, Gyroscope, Colere, and Blueline, among others.

     

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  • Spurious Claims by Mark Tulin

    by

    Zingara Poetry Review: Poetry Picks

    The sidewalk healer witnessing
    in the house of spurious claims,
    preached faith and transcendence,
    promised miracles with each dollar
    dropped in the collection bucket.

    He gave simple answers
    to all of life’s complex problems
    into one magical moment,
    wrapped in a neatly-tied bow
    and delivered to your door.

    Believe in how the spirit works, he’d say,
    and give you the same line;
    the same worn-out phrases
    as he sermonized yesterday.

    He claims to be a partner
    with the all-knowing,
    a six-figured salesman
    who thumps the podium
    with a lunatic’s conviction
    without caution or delay.

    He’s a rainmaker
    who can’t form clouds,
    a fisherman
    who’s never cast a spinning reel,
    and as much as he kneels and bobs,
    he never could turn water into wine.

    —

    Mark is a former therapist who lives in California.  He has a chapbook, Magical Yogis, and two upcoming books: Awkward Grace, and The Asthmatic Kid and Other Stories. He’s been featured in Fiction on the Web, Ariel Chart, Amethyst Magazine, among others.  His website is Crow On The Wire.

     

     

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  • Taming My Mother’s Tongue by Zoë Christopher

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    Zingara Poetry Review: Poetry Picks

    Living too long in glass houses, careless
    now private thoughts on my lips

    I descend into a fleshy silence conjuring
    my mother’s frayed coyote soul. I can hear

    her splintering howl, barbed tongue lashing
    like teeth into my innocence and needs.

    I could not bolt the door against my ripening,
    she said I came to spoil hers. I would learn

    I could not cradle her feral demons, soothe her
    madness without risking the skin of my bones.

    Now too frail to pounce and strike, she’s lost
    and stumbles toward me, a plea in her silence.

    We sit and pray together until the old camellia
    leaves of my childhood glisten in the night rain

    and the moon coaxes golden shadows from
    the dampened scent of winter viburnum.

    And so the sluicing begins, the eloquence
    of water taming my mother’s tongue.

    —

    Zoë Christopher is a photographer and writer who published her first poem at 16. Soon after she was sidetracked, putting food on the table as an ice-cream truck driver, waitress, medical assistant, addictions counselor, astrologer, art installer, bookseller, Holotropic breathworker, and trainer of psychospiritual crisis support. (She didn’t get paid for milking goats, teaching photography, or raising her son!) She holds a Masters in transpersonal psychology, and spent 20+ years working in adolescent and adult crisis intervention and support. Her work has appeared in print in great weather for MEDIA, and online in The Writing Disorder and WordsDance.

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  • A letter to Campbell McGrath about Polaroids at a yard sale by Ralph Long Jr.

    by

    Zingara Poetry Review: Poetry Picks

    Campbell

    An unleashed Dalmatian is never a good idea at a
    yard sale. Barking chaos, toppled tables, a box of
    Polaroids scattered. Bow-tied boys, girls in print
    dresses, squinting Sunday-best parents strewn like
    autumn leaves on the still-green lawn. A woman
    chases the errant dog. Her daughter guards the cash
    box, offers me the photos for a nickel each if I spare
    her the chore of picking them up. She finds no value
    in the once-precious moments that are fading into
    chimera as chemicals decay. Edwin Land’s promised
    hundred years of color already spectral. There are no
    images worthy of Adams’ Yosemite or Wegman’s
    Weimaraners. A few arcade booth strips amid the
    mess capture a vitality, a reality missing in the others.
    I don’t know what happened to all the old photos of
    my family. I wonder if the parents in these ones are
    still arguing about the thermostat, children, television
    channels. Or if the photos are the detritus of divorce,
    death? Do you think this LBJ era ephemera is worthy
    of preservation when so much else is disappearing?

    I bought a dollar’s worth of photos, I can’t say why.

    —
    Ralph J. Long Jr. is the author of the chapbook, A Democracy Divided (The Poetry Box, 2018). His work has appeared in Stoneboat Literary Journal, The Poeming Pigeon, The Avocet and the anthology Ambrosia: A Conversation About Food. He graduated from Haverford College and lives in Oakland California.

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  • Fortune by Dana Delibovi

    by

    Zingara Poetry Review: Poetry Picks

    We were drunk. Night-streets glittered from the glass
    alloyed with tar in asphalt. The humid air
    amplified every car-alarm and laugh.

    A second-floor psychic lit her neon sign.
    Up the stairs, we found her coaxing music
    from an old radio, her table spread

    with trinkets molded for the craft of longing.
    What she divined, I can’t recall. We left
    as sweepers drove and taverns locked their doors.

    Maybe she foretold our sheets and showers,
    when morning stunned us, and we went to work
    still drunk, through city streets unjeweled by day.

    —

    Dana Delibovi is a poet living in Missouri. Her poems have appeared in The Formalist, Mid Rivers Review, Orphic Lute, Red Tape, Spirituality & Health, and the Poetry Society of America’s Poetry in Motion series. She is the recipient of the 2014 and 2019 James Haba Award for poetry.

     

     

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  • A Dog’s Life by Anne Whitehouse

    by

    Zingara Poetry Review: Poetry Picks

    Come down to the lake with me.
    Real winter is here at last,
    ice crystals and freezing fogs,
    the sun so bright it hurts my eyes.

    Veils of mist like gossamer silk
    drift over snow that blows over ice
    where our dogs chase after each other,
    making the most of what they have,
    be it a stick or a snowbank.

    —

    Anne Whitehouse is the author of six poetry collections, most recently Meteor Shower (Dos Madres Press, 2016). She has also written a novel, Fall Love, which is now available in Spanish translation as Amigos y amantes by Compton Press. Recent honors include 2017 Adelaide Literary Award in Fiction, 2016 Songs of Eretz Poetry Prize, 2016 Common Good Books’ Poems of Gratitude Contest, 2016 RhymeOn! Poetry Prize, 2016 F. Scott and Zelda Fitzgerald Museum Poetry Prize. She lives in New York City. www.annewhitehouse.com

     

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  • A Spring of Loss by Shearle Furnish

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    Zingara Poetry Review: Poetry Picks

    Grassfires skirt the west edge of town.
                    The sirens sound like far-off geese.
                     I miss the rain.

    Apricot trees wear their full crown of white
                   Too early — late frosts will steal the crop,
                   And I will miss the fruit.

    The breeze, the chimes, the birds are still,
                    The feeders empty and unvisited.
                    In the pleasant air of evening, I miss the song.

    —

    Shearle Furnish is retired as Professor of English and Founding Dean of the College of Arts, Letters, and Sciences at the University of Arkansas at Little Rock and taught English for 33 years in Kentucky, North Carolina, and Texas. Furnish also served in administration at Youngstown State University before moving to Arkansas.

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  • Six Poems for Autumn from the ZPR Archives

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    Zingara Poetry Review: Poetry Picks

    As autumn colors fade to bare limbs and stark skies, take a few minutes to contemplate these autumnal poems previously published on Zingara Poetry Review:

    The Last Massacre in my Lonely Notebook by David Spicer

    November, 1993 by Jenn Powers

    Squall by Jennifer Lagier

    Forecast by Amanda Banner

    Softly by Carol Alena Aronoff

    Sleeping with Squirrels by Tracy Mishkin

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  • A Sun of Unknown Night by Hongri Yuan

    by

    Zingara Poetry Review: Poetry Picks

    I believe that black stones spawn the honey of the heaven
    And the death brings us the Golden Dawn
    The earth is our other body
    While the oceans are initially sweet and serene eyes
    My every tear is burning
    Bearing a diamond
    And when my body is consigned to the flames
    Heaven begins to enter my body
    At this time I bloom in death
    Like a sun of unknown night


    Hongri Yuan, born in China in 1962, is a poet and philosopher interested particularly in creation. Representative works include Platinum City, Gold City, Golden Paradise , Gold Sun and Golden Giant. His poetry has been published in the UK, USA, India, New Zealand, Canada and Nigeria.

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  • Ugliness came up by Kitty Jospé

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    Zingara Poetry Review: Poetry Picks

                            in conversation  today—
    a word for when things go wrong.
    the daily ugly of what shouldn’t be.

    All that we avoid mentioning:
    ugly of shootings of innocents,
    exploitation, slavery; the ugly tone
    of the powerful, the ugly tone
    of irrational words, self-serving
    policies… All the times we answer
    fine but it isn’t.  The unspoken in
    Untitled. How close the word skims
    you figure it out yourself, in a skinned dis-
    connect.   No clue.  Not interested in you.

    Let’s start with a teen-age boy.
    His detention center doesn’t allow any kindness,
    any touch.  But, someone volunteered to teach
    a writing class where he wrote about wanting to be a bird,
    fly to where he could meet summer and fall
    in Honduras.  You wouldn’t call something
    like that Untitled.  Nor would you call it
    Today With a Dash of Yearning…
    or talk about how Tomorrow will be dressed.
    Whatever the title, his writing will help him
    when ugliness comes up.  And now,
    tell me about you. How do you cope
    when ugliness comes up?

    —

    Kitty Jospé holds an MA in French Literature, NY University and an MFA Poetry Pacific University, OR. (2009). She has been Art Docent since 1998 at the Memorial Art Gallery, Rochester, NY and since 2008 she has been moderating weekly poetry sessions. Her work has appeared in many journals and published in five books of her poems as well as other anthologies.

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  • Like dublin by DS Maolalai

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    Zingara Poetry Review: Poetry Picks

    under the boiling pot
    dropped leaves
    smolder; the top of a litterbin
    filled with cigarettes
    and reducing to soup
    on a dry afternoon. summer,
    full of that smoky air
    and missing fire. those little pops and cracks
    like walking barefoot
    and stepping on crisp packets. like dublin;
    walking up o’connell street
    while the sun shines
    and everyone dresses
    comfortably. men in shorts, t-shirts
    and football jerseys
    sliding over chests and bellies
    as if loose water
    were tumbling on rocks.
    women too;
    those airy dresses,
    showing more of their legs
    than the men even. sunglasses all over,
    black as burned vegetables. earth slipping, filling with scent
    and a hot meat market. in the pot at home,
    outside of the city,
    vegetables boil among fistfuls of ham. the air is humid,
    the windows shut, full of steam
    and the smell of toasting broccoli.
    at the kitchen table
    I open my shirt down as far as the belly,
    lean back, and remember walking
    home.

    —

    DS Maolalai has been nominated for Best of the Web and twice for the Pushcart Prize. His poetry has been released in two collections, Love is Breaking Plates in the Garden (Encircle Press, 2016) and Sad Havoc Among the Birds (Turas Press, 2019)

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  • Un Chien Andalou by James Penha

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    Zingara Poetry Review: Poetry Picks

    after—well after—Luis Buñuel’s 1929 film

    I finger the stropped razor ready
    to slice an eyeball
    surrealistically enough
    to turn my head in the clouds
    cutting the moon and so who is blind?
    she? he? me? eyes curbed after the bike collapses
    and we are undressed for bed with ants in hand. Give her
    a hand! I want to hold your hand;
    the accidental dead want to hold breast and butt hold
    on she tosses
    she will serve no fault—
    the undead eschew tennis
    for a strongest man competition lugging
    grand steinways, church, dead
    dog. Dead? The undress awakens aroused by a dick
    demanding he make a man or two of himself
    to read to write to duel like Burr and Hamilton
    in a New Jersey meadow from which a moth
    on the New Jersey shore on which a melted watch
    tells who lives who dies who tells your story


    A native New Yorker, James Penha has lived for the past quarter-century in Indonesia. Nominated for Pushcart Prizes in fiction and poetry, his verse appears this year in Headcase: LGBTQ Writers & Artists on Mental Health and Wellness published by Oxford UP and Lovejets: queer male poets on 200 years of Walt Whitman from Squares and Rebels. His essay “It’s Been a Long Time Coming” was featured in The New York Times “Modern Love” column in April 2016. Penha edits The New Verse News, an online journal of current-events poetry. Twitter: @JamesPenha

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  • 2019 Best of the Net Nominations

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    Zingara Poetry Review: Poetry Picks
    Zingara Poetry Review is happy to announce 2019’s “Best of the Net” Nominees:
    Home for the Wayward Trans Teenager by Leslie Anne Mcilroy July 18, 2018
     
    A Flower Rests by Jerry Wemple, September 5, 2018
     
    Insomniac by Danielle Wong, October 3, 2018
     
    Invocation // The Beast That Resides in the Acute Angle by Gregory Kimbrell, December 23, 2018
     
    Somebody Else’s Poetry by Ella Baum, May 8, 2019
    Poems must meet the following minimum qualifications for nomination:
    • Submissions must come from the editor of the publication (journal, chapbook, online press, etc), or, if the work is self-published, it must be sent by the author.
    • Submissions must have originally appeared online, though later print versions are acceptable.
    • The poem, story, or essay must have been first published or appeared on the web between July 1, 2018 and June 30, 2019.
    • Submissions must be sent between July 1st and September 30th, 2019.

    Best of luck to this year’s nominees!!

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