Monthly Archives: January 2018

Earthen Vessels by Ellen Young

When I take life at a purposeful stride
things get broken: the cheap
wine glass or the crystal strikes
the faucet, a mug loses its handle.
It wasn’t a mugging, wasn’t
a loose carpet caused my broken hip.
Steep trail, view of the sea, a sudden
acquaintance with a very rude rock.

Too surprised to be insulted,
with only one leg to stand on, I was
dependent on the kindness of strangers,
aides who came at my call, nurses
dispensing pills I need not count,
breakfast served me in bed, therapists
who said, “Your work is to rest.”
A novelty, this focus on myself.

Home again, exercises blend
with household tasks. A book
is surprisingly heavy, the big skillet
a challenge to lift. Adaptations
must be made. Then one by one
they are abandoned. Good progress,
good progress: I go back on a trail,
regain my purposeful stride.

Recalling the gifts of care, as I choose
a mug for tea, I must remind myself
of pain, ice packs, unsteady feet, cries
in the corridor, to quell my sense
of loss in being “whole” again,
the center of no one’s attention.

Ellen Roberts Young is a member of the writing community in Las Cruces, New Mexico. She has published two chapbooks with Finishing Line Press, Accidents (2004) and The Map of Longing (2009).  Her first full-length book of poetry is Made and Remade, (WordTech Editions, 2014).  She is co-editor of Sin Fronteras/Writers Without Borders Journal and blogs intermittently at

First Digest of 2018 and OPEN SUBMISSIONS

Hello Dear Readers,

This is the first time I’ve had a minute to put together a digest since September. I’ve been negotiating a number of major life events, including a few health challenges and a career change. It’s been trying, but I’m the better for having gone through them and am happy to return once again to my passion project.

I am also happy to announce that submissions are once again open. In addition to taking poems for the weekly Zingara Poetry Pick, I am asking for poems to publish during National Poetry Month. If enough poems are received to post a poem every day, I will so. If not, I will just post however many I can. If, on the other hand, I receive more than I can fit into a month’s time, I will post them at other times of the year. So, please send your best work and tell all your poet friends. Open slots will fill quickly. Submission guidelines, which you should review, can be found here.  Please mention in your cover letter if you are submitting for National Poetry Month or for the regular feature.

Now on to this month’s fine selection of  truly wonderful poetry by talented poets who have generously shared their work and talent with Zingara Poetry Review.

Watch for February’s digest for a recap of January poems and definitely keep an eye out for more upcoming stunners.
Thanks everyone, and WRITE ON!!

“The Mystery House” by Jim Eilers

I find different identities for the house
I go to in my dreams, where I wake up
and wonder, worried, how to find
my way from that beloved, empty house
in the country back to my apartment
in a distant city.  Then, fully awake,
I see that I have been back all the while.

With my increasing forgetfulness
I wonder if the house I go to,
that I love without understanding it,
is the place where I will achieve
a final, complete deconstruction
of my remembered self.  I look
at the house I go to in my dreams,

and feel I am becoming a statue
molded from sand.  I don’t need
Edgar Hoover, or Edgar Allan
Poe to see that, forgetting and
remembering, I find in the house
in my dreams my true and
fitting home.  But is it my tomb?

James McColley Eilers. Verses, translations, essays, photographs published in Subtropics, San Francisco Reader, Modern Words,  Haight Ashbury Literary Journal; on websites, InTranslation, Poetry Ark, and Subprimal;  in the books, How to Bury a Goldfish and Imprints.  His play, Turning, was performed in San Francisco in 2001.

14 NO FEE Chapbook Publishers and other Chapbook Listings

Found this handy list of no-fee chapbook publishers on Trish Hopkinson’s WordPress site and wanted to share. Lot’s of other great information here, too:

Trish Hopkinson

The individual listings below are the chapbook publishers I found which do not charge submission fees, reading fees, or contest fees. The majority of chapbooks are published via contests and do typically require a fee from $10 – $25. Research each market thoroughly and make sure submitting is worth the fee. Many will provide prize money along with several copies of the chapbook for you to sell and otherwise promote your work.

The Chapbook Review is a great resource for all things related to chapbooks–including listings for:

They also provide online forms to add listings to their database, including your own published chapbooks.

For information on putting together your chapbook file to print some yourself or to have them printed, click here.

To check out my online chapbooks, click here.

14 NO FEE Chapbook Publishers…

View original post 1,282 more words

“Legacy” by Terry Severhill

We accumulate our past as though it were a treasure horde and we forget in the moments of passing down the family history to dust off the layers and the contributions of generations of liars and lawyers. We can’t seem to shake loose that thought that everything is important . . . to someone, so great-great Aunt Maggie’s recipes for stewed Uncle Franks hangover remedy is still passed around at Christmas gatherings . . . 1] Yell shrilly into either ear. . .  2] Bang pots and pans with a Metal spoon. . .  3] Serve two day old, ice cold bitter coffee . . .  4] Repeat until he gets his lazy ass up and working or until the sheriff stops by. The remnants of wedding dresses and military medals are enshrined in the collective attic of our family tree which no longer has leaves, although some think that the bats in the belfry are there to remind us to eat lots of garlic, some of us have a rational fear of vampires. We don’t have any generals in our family line. . . . none that we are allowed to speak of. . . . something about being on the wrong side of history. . . which may be akin to being on the wrong side of gravity. The best thing about having a family history is family . . . . if only we didn’t have to try and explain.

Terry’s work have been published in a variety of venues, awarded “Art Young’s Poetry Prize 2016.” He is pending publication in several journals and anthologies. His first collection, from West Vine Press, Beneath the Shadow of the Sun is due out late 2017. Terry is a member of the Veterans Writing Group of San Diego. He lives and writes in Vista, California, reads at several open mic events in San Diego County monthly.


“Of Things Past” by Lenny Lianne

A long time, too long, since we have done — this,
he said and plopped a fat bottle of Mateus
and two small paper cups from the bathroom
onto the table. He took out a maimed box
of Jolly Time Blast O Butter popcorn
from a grocery bag, and grinned at her.

She could tell that this was a campaign
to coax her to laugh, to forget
about the future. The distant past
would be the tactic tonight, the way
they used to take turns telling
each other about what had come before

— about those freakish Christmas gifts
from screwball aunts, sibling pranks,
his teen summer by a cirque-cupped pond.
And after a third refill of new wine,
they spilled out stories of lapsed romances
as though, by sharing their own secrets,

they’d earned whatever alighted afterwards.
Shag carpets, concrete block with wood
plank bookcases and black beanbag
chairs, each had departed by now,
passing away for better or worse,
like something familiar that’s lost its way.

     after a line by Lucia Perillo

Lenny Lianne is the author of four full-length books of poetry. She holds a MFA from George Mason University. Her poems have appeared in Rattle, California Quarterly, Third Wednesday, The Dead Mule of Southern Literature, and others.